New York Dining

Waitress Preview Day 2

We’ve had a fabulous long weekend in New York, and although the purpose of the trip was to see the new musical, Waitress, we also had a chance to visit some favorite restaurants, and try a few new ones. Here’s a recap:

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We began with a dinner for two at Momofuku Ko, which I’d read about in a favorite book The Rosie Project. Dani was still flying in from Chicago when Linda and I had a delightful meal, made special by a wonderfully welcoming staff. Not every course was a home run, but it hardly mattered because everything else was perfect.

For lunch Friday Dani was still at her friend’s apartment, and Linda and I stepped back into 1962 for lunch at La Grenouille, a classic French restaurant, and the last of its kind. This is a place they talked about going in the series Mad Men, and it’s unchanged.

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Dani caught up with us for our anniversary dinner at Eleven Madison Park. We’ve had two of the greatest meals of my life here, and one awful one. Fortunately they’ve returned to form, and although this one wasn’t quite as memorable, it was exceptional, particularly the service.

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Despite our feelings about The Donald, we stayed at the Trump International Hotel, because we got a deal on hotels.com, and someone has to pay the unfortunates who work there. One plus is that one of our favorite New York restaurants is just downstairs. We had a lovely lunch at Jean-Georges, which—even thought the prices have doubled in the time we’ve been going—is still the best lunch deal in town, with the same food as dinner at a fraction of the cost.

A great thing about New York is that you can actually dine really late. So after the wonderful Waitress production we had an 11pm reservation at db Bistro Modern, a reliable late night choice operated by Daniel Boulud, whose high end restaurants we view with less favor.

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The stunning highlight of the trip, and one of the best meals of our lives was Easter lunch at Caviar Russe, where we had the caviar tasting menu, an eight course extravaganza where every course incorporates caviar in a meaningful way. The wine list is extremely attractively priced, which just makes things better. Linda and I had one of the best meals of our lives here in 2014, and this one was even better. So of the greatest meals I’ve ever had, Caviar Russe occupies two of the top five spots. (For those keeping score, the others are two different meals at Eleven Madison Park [neither of them recent] and New Year’s Eve at Victoria and Alberts.)

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We had a reservation at The NoMAD, operated by the Eleven Madison Park folks, but after such a spectacular lunch it would have been a waste. So instead we went to a local Turkish place, ABA Turkish Restaurant, which was very popular, and fine, but actually not as good as our Turkish and Middle Eastern restaurants in Orlando. But after that lunch, it hardly mattered!

We finished off our culinary extravaganza  with a Monday lunch at Vaucluse, a new French brasserie by Michael White, owner of, among other things Marea (which we aren’t wild about). Vaucluse is a beautiful room, and the brasserie food was elevated, yet traditional. The best Salade Lyonnaise of my life is my parting memory of New York.

Quite the culinary whirlwind, and something we can only do every couple of years, but there were some truly memorable experiences that we’ll hopefully be remembering long after the Amex bill comes.

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If you can just do one thing in New York, I have to say—well, see Waitress! But other than that, Caviar Russe is the place to be.

Waitress

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Waitress Preview Day 2

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This anniversary trip to New York City features a lot of fine dining, but it started because of Waitress, a new musical based on the movie, and with a score by Sara Bareilles. Dani asked for tickets for Christmas, and I was able to get them prior to opening night.

Sara tells the story of how she became involved with the show in her biography, Sounds Like Me. At the time she didn’t know the director, Diane Paulus, was quite famous, and she hadn’t seen the movie. But when offered the job she went home and watched it, and immediately wrote the first song for it.

That song and most of the others are on an album, What’s Inside: Songs from Waitress, that she released last year, and which Dani and I have been listening to in heavy rotation. It’s a great album, but it’s very, um, Sara-ish. So it was with some trepidation that we went to see the show, since not many people can sing—or even play—a song the way Sarah Bareilles does.

I’m pleased to report that: 1) this cast—and especially the lead, Jessie Mueller—can sing them that way; 2) the onstage band is on top of it; 3) this is an amazing Broadway show, not just some pop songs set to a movie. In fact, the songs fit so perfectly that, having not seen the movie, I can’t really imagine it without the songs.

What’s remarkable is how polished the show and cast are given that we saw it on the second night of previews. There might have been one song in act 2 that I would have cut, but other than that I wouldn’t change a thing. The audience agreed, and was wildly enthusiastic from the moment the lights dimmed. In fact, I don’t think I’ve ever encountered a more enthusiastic audience.

I was struck by how much of Sara’s album made it into the show, although one great song, Door Number Three, didn’t make it in recognizable form. But for the most part her album will give you a great idea of what this show sounds like, even if you can’t exactly figure out who will be singing what number.

Needless to say, we loved the show, and if I could see it again tonight, I would!

Momofuku Ko

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I’ve wanted to visit Momofuku Ko ever since I read about it in the excellent book, The Rosie Project, which you should definitely read. It’s very hard to get a reservation, but thanks to split-second timing last week I was surprised to be able to get in on a Thursday evening.

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The layout is a bit like l’Atelier, where you sit at a counter facing the chefs and watch the food being prepared. The ambiance of the restaurant is great, with excellent music at just the right level, so it’s easy to hear your companion, but no other guests, thanks to a large gap between each pair of seats.

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We absolutely loved all the personnel at Momofuku Ko. They were all warm and gracious, and genuinely glad we were there. The sommelier, Chase Sinzer, in particular, spent a lot of time with us, and helped us select a couple of superb Burgundies.

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The meal consisted of 16 courses, mostly tiny bites, and some were spectacular. I had been expecting a very sashimi oriented meal, but actually very few courses resembled anything I’d had before. Highlights included a miniature pomme soufflé; chopped black bass sprayed with shiso mist; a nice serving of Osetra caviar (that didn’t particularly go with the accompanying sweet potato puree); the visually stunning razor clam with basil seeds (a signature dish); a roasted potato served in a delicious bouillabaisse broth; and foie gras that was frozen and finely shaved over lychee.

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I must admit that not all the courses were home runs. Spanish mackerel with a runny baked egg was not particularly flavorful. Most of the hot dishes were misses, especially a tough sirloin (although the accompanying potato churro was wonderful) and the chicken pie.

Two dessert courses were pleasant and not too sweet, and at the end Chase comped us some Green Chartreuse, which we had never had before, and really enjoyed.

It was a delightful evening, and I would definitely return to Momofuku Ko.

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