Las Vegas Dining

We had a jam packed week of fine dining in Las Vegas. Here are some brief thoughts about the various restaurants.

Verandah at The Four Seasons

This is the coffee shop at the Four Season. The weekend brunch, included in the tour, was pretty spectacular, and I’ve been to some elaborate brunches at the Hyatt Regency Grand Cypress and the Ritz Carlton. I was trying to be good though, so I just nibbled this and that Saturday morning, and skipped it altogether Sunday.

Taqueria Cañonita at Venetian

Sunday we walked a lot of the casinos on the Strip, starting at the Palazzo, which is part of the Venetian. This canal-side Mexican restaurant used to be a favorite of Linda’s but it seems to have gone downscale. The chips are no longer served with a tower of various salsas, and the food was unremarkable. After lunch we hit the Mirage to see the tigers, and then Caesar’s and the Bellagio.

The Bar at Charlie Palmer’s Steakhouse at the Four Seasons

Before our farewell dinner with our tour group on Friday we had killed a half hour in this bar at the entrance to the steakhouse, and we liked it so much we went back the next night for dinner. Their small plates are a steal for Vegas. For example the four cheese plate with accompaniments was $8, and two Kobe sliders were $10. Compare that to $17 for a Caesar side salad in the restaurant. The ambiance is great, and we had the place almost to ourselves, even though the restaurant was packed.

Noodles at Bellagio

We selected this place for lunch before Linda arrived in town because we knew she wouldn’t like it. As it turned out, we didn’t, either. Slimy noodles and lots of dim sum. Very forgettable. Also very crowded with Chinese speakers, so it must be authentic. It was so bad we went to the chocolate place at Bellagio afterward to recover.

We relaxed at a bar in the Paris to wait for Linda’s flight and our room at the Vdara to be ready.

Yellowtail at Bellagio

Linda requested up-scale sushi for her first night in Vegas, and this place came through. It’s trendy and a bit louder than I’d have liked, but conversation was possible. We had the seven-course Omakase, where you put yourself in the chef’s hands, and he didn’t fail us. Standouts were the tuna pizza with truffle oil and the teriyaki kobe beef shortribs, which were really tasty without being too rich.

Picasso at Bellagio

I’d been to this restaurant before and wasn’t that impressed with the food, but this time it was a home run. Linda and I had the Menu Degustation, while Dani had the Prix Fixe. Her snapper, in particular was deliciously seasoned and perfectly cooked. The highlight of the five-course degustation was probably the foie gras, although it was all excellent.

It’s neat being surrounded by a dozen or more Picasso originals that you could reach out and touch (although Dani and I agreed we much preferred the Monets at the museum in the Bellagio that we saw the day before).

Lotus of Siam

This is the greatest wine list in Las Vegas, and the best Thai restaurant I’ve ever been to by a wide margin. Located in a dumpy strip mall off of Sahara Boulevard, it serve astonishingly good Thai food; in fact, the chef won the James Beard award last year! Best of all is an award winning wine list where many of the wines are priced below retail. We met Linda’s high school friend Suzanne, and her friend Diane, here for lunch. We put ourselves in the waiter’s hands, and he delivered eight or ten terrific appetizers and shared entrees, each better than the last. I took the opportunity to pillage the wine list, and although some of my selections couldn’t be found, we ended up with some stunners. Where else can you find an affordable Clos de Tart from a great year? That bottle alone was over $1000 on the list at Picasso, a fifth that here.

Central at Caesar’s

While Linda had dinner at Pinot Brasserie in the Venetian with her friends, Dani and I walked up to Caesars and the Michel Richard Bistro. Well, it isn’t really a bistro, but more of a burger and salad joint right off the lobby. Delicious Chinese chicken salad, forgettable chicken burger, forgettable tuna burger.

‘wichcraft at MGM Grand

Tom Collicchio of Top Chef fame has a chain of Craft steakhouses. This is his fast food sandwich place, hence the clever name. Excellent chicken salad and roast turkey sandwiches, which we shared.

Jean Georges Steakhouse at Aria

Jean Georges is a favorite restaurant in New York, but I was dubious about yet another top name chef doing a Vegas steakhouse. But everything was great, and as it turned out no one (Linda, Dani, Suzanne, Diane and I) had steak. The highlight was the teriyaki short ribs, which were like candy on the outside. The wine list is expensive, but there are a few hidden gems. We started with a Duval-Leroy Champagne, then a 2005 Corton-Rognet by Dupont-Tisserandot, and ended with a 2010 Mollydooker The Boxer Shiraz.

Sushi Roku at Caesar’s Forum Shops

We had a great meal here last year, so when Linda needed her sushi fix we returned. The trick here is to order appetizers, such as the tuna sashimi with crispy garlic chips, or yellowtail and spicy tuna on crispy rice, not conventional sushi and rolls, which are just so-so. This is a chain, and we found out the hard way that not all locations are equal, as the one is Santa Monica was awful.

l’Atelier de Joel Robuchon at MGM Grand

We’ve been to l’Atelier in New York, London and Las Vegas, and it’s one of our favorite restaurants. Designed a bit like a sushi bar, the best tables place you at a counter facing into the kitchen, where a half dozen chef’s efficiently and quietly prepare your meal as you watch. Across the counter from you, your dedicate server acts as a friendly and knowledgeable host. Linda and I had the tasting menu, ten or so small plates with a half dozen matching wines. Dani had a few small plates ala carte. Everything was superb, but the knockouts for me were: all the breads, the little pizza-like thing with a quail egg and bacon on it, and the partially smoked salmon. Linda loved the foie gras parfait amuse bouche. We’ve also been to the more formal Joel Robuchon next door, but it is stuffy and the food seems less interesting than at l’Atelier.

Triple George Grill downtown

After a backstage tour of the Mob Museum, a couple of blocks north of Fremont Street in the somewhat seedy downtown area of Vegas, we walked to the nearby Triple George Grill. It’s a popular lunch stop, and was quite busy. The interior is old school, but the place was built in 2005. The food was fairly typical bar and grill fair, nothing special.

Guy Savoy at Caesar’s

This three star Michelin chef’s restaurant cemented my opinion of Michelin ratings: that they’re a good indicator of price, but not quality. This meal cost more than double the comparable meal at the best restaurant in the US, 11 Madison Park. It also cost almost as much as three years of Linda’s lunches at Taco Bell. Quality: variable. The first three courses (of 13) were solid 9’s, but after that they all, categorically, devolved into less than 5 on a scale of 10. It’s not really worth reporting them here, because they change frequently. But why would you ruin a piece of nice salmon by freezing it on dry ice? The wine paring was top notch, though. This would be a distant last of all the fine dining experiences during this week in Vegas.

The Vdara

Dani and I completed our tour of national parks, finishing with two days at the Four Seasons Las Vegas, which is the top five floors of the Mandalay Bay. Then we moved to my favorite (non-smoking casinoless) hotel in Vegas, the Vdara, where Linda joined us for the week. I love the two-bedroom suites on the top floor of the Vdara, and they’re very affordable. Here’s our 280 degree view, by day and night, and a shot of the hotel from across the Bellagio fountain.

Vdara Window Washer Rescue

We had a bit of excitement outside our hotel yesterday. Firefighters had to be lowered from above our 56th floor suite to rescue three window washers when their basket got stuck and started to slip. TV crews gathered down on the street, and I guess it even made the national news, but we had the best view.



We saved the best for last. Having been to Joel Robuchon’s l’Atelier in London, we knew it was good, but I had expected his formal restaurant, Robuchon, to be better. However I actually prefer the honest flavors of the simple ingredients at l’Atelier. I also, surprisingly, like sitting at what is essentially a sushi bar, and chatting with the servers and watching the chefs.

Watch my l’Atelier movie

We went on Friday night, and had a great time. One of our servers, a Nigerian named Sunday, was especially nice, and encouraged us to let him make a reservation for us after our show the next night, and so we did. l’Atelier two nights in a row, wow!

Before dinner on Saturday we saw Ka, our favorite Cirque show by a mile. The story line, consistent theming, and amazing technical aspects of the presentation set this apart from all other Cirque shows. My favorite moments are when the huge platform is first revealed and slowly rotates to show the audience what it can do, then when it later transforms itself into a vertical wall. The show has been rearranged since we first saw it, so that the impressive vertical battle—where you feel like you are watching from above—is now at the end, a great way to finish with the best scene.

We finished out meal Saturday with these delicious mini hamburgers. I’d had a hamburger with foie gras and caramelized onions at db Bistro Moderne in New York, but these are much better. The small size—just four bites each—and the wonderful brioche bun make these a little slice of heaven, without being overpoweringly rich. It was a real treat to end out week in Vegas on such a high note.

Backstage at Caesar’s Forum Shops

With our wine group back in Orlando, Linda and I have a few days alone in Las Vegas.  Thursday we met Ron Ford of Simon Malls for lunch at Sushi Roku and a backstage tour of the Forum Shops.

There are two main shows, with very sophisticated gas, steam, lasers, hydraulics, animated figures, audio and video. Over the years Ron has replaced much of the original equipment with Alcorn McBride gear. It was very gratifying to run into so many people backstage who complimented us on the reliability of our gear.

Ron provided a great tour, and I could tell that he and Linda were kindred spirits, as they talked Hoffman Boxes, Elco connectors and PLCs for a couple of hours. What a treat!

For dinner Linda and I walked next door to Andre’s in the Monte Carlo. The food was just so-so, but the wine list was interesting, and not too pricey by Vegas standards. We had a 1955 Cornas that had lost its fruit, a 2001 Clos de Tart that Linda said was good (by this time my cold was bad enough I couldn’t really smell anything), and a tasting of four vintages and types of Reserva Velha Barbieto Madeira that seemed pretty interesting: ’54 Malvasia, ’53 Bual, ’40 Verdelho and ’51 Sercial.

Then I headed back to the room for some Nyquil.



Delmonico’s was the final restaurant on our Wine Syndicate Las Vegas culinary adventure, and it was easily the best experience. Incredibly attentive and professional wine service by Ryan Anderson made the evening a delight. At last, here was a place that really understood the concept of a wine tasting dinner.

This was also the best slate of wines during the trip, and the best tasting we’ve done in several years. The wines:

2000 Montrachet, G. Amiot
2000 Ch ‘Y’

1968 BV Special Label Burgundy
1976 Clos de la Roche – Pierre Bouree Fils

1964 BV Georges de La Tour Private Reserve
1955 Ch Cheval Blanc tenth

2002 Dominus
1986 Ch Mouton Rothschild

1999 Ch d’Yquem tenth
2000 Ch d’Yquem tenth

All of the wines showed great.The favorites were the 1955 Cheval Blanc and the Chateau Y, which is the dry wine from Yquem. I scored the latter a perfect 100, which I almost never do, for whites, especially.

Earlier in the day we changed hotels, moving from the Vdara to the Mandarin Oriental. I had originally booked the Mandarin as a special treat, but it sort of backfired, because we like the Vdara much more than I was expecting. Our suite at the Mandarin is impressive, with about 80  linear feet of glass wall wrapping around a sharp corder of the building, right on the strip.

Of course, the service at the Mandarin is perfect. Heck, during check-in you get hot towels and tea! Still, we both preferred the quiet environment—and the dramatic height—of the room at the Vdara, and it cost less than half as much.

Lotus of Siam

For lunch we went to Lotus of Siam, regarded by many as the best Thai restaurant in America. It’s in a dumpy shopping center off of Sahara, so I’m sure we looked a bit incongruous piling out of a stretch limo. Certainly it was the best Thai food I’ve ever had, and it was great with a large party, because we could have a little taste of so many dishes.

The wine list is quite amazing, with a thousand or more selections, and priced in many cases below retail. There are many bottles that are simply not available at retail, and we took the opportunity to try several 100 point Parker wines. While I didn’t record the food, the wines were:

  • 1997 Corton-Charlemagne Bonneau du Martray – Waxy, 90 pts
  • 2007 Chateauneuf du Pape, Pierre Usegglio, Cuvee de mon Aieul – (RP 100) Tannic, balanced, chocolate dipped cherries, 94 pts
  • 2007 Chateauneuf du Pape, Domain de Janasse – (RP 100) Velvety, meaty, 97 pt
  • 2007 Clos de Papes – (RP 99) wood, leather, vanilla, 98 pts
  • 2007 Sine Qua Non Pictures – Grenache, 15.6% alcohol, (RP potential 100) Big fruit, mint, leaves, wood, plums, meat, 100 pts
  • 2000 Chartogne-Taillet Cuvee Fiacre Champagne – same wine we had a Robuchon, but at half the price! A deal for a vintage Champagne at $75. 95 pts

My scores are mostly lower than Parker’s, but he’s a nut for that 2007 Chateauneuf du Pape vintage.

In the evening we walked over to Ron & Bev’s suite at the PH Westgate for a get-together and had some salmon, Champagne and a 1989 Ch. Angelus that was drinking great, but young. Their suite is expansive, with a wonderful view of the Strip. The blue and red tinted glass is a bit weird.

For dinner we went to Aquaknox at the Venetian, for our vertical Georges de la Tour tasting. We sat at the chef’s table adjacent to the kitchen, which was a bit crowded, like last night, but fortunately this time we just passed the wines so I didn’t have to squeeze around. The vintages were: 63, 64, 66, 68, 69, 70, 71, 74, 75, 77, 78, 79. Standouts were the 68, 69, 70, and the 77, 78, 79. Interesting that they are both runs of three consecutive years.

The food was pretty lackluster, as with my previous visit to Aquaknox:

  • Buffalo Mozzarella with basil and olive oil – probably the best course, because the ingredients worked together
  • Scallop – sliced thin and flavorless except for the parsley on top
  • Poached lobster of truffled creamed corn – Not much flavor to the lobster, but the creamed corn was definitely the best thing we tasted. We should have just had a bowl of this!
  • John Dory – the chef is famous for this dish, but I don’t know why. A nearly flavorless white fish served with trumpet mushrooms that didn’t go with it at all.
  • Maple leaf duck breast with lentils – Nothing really worked here, either. Lentils don’t really enhance duck breast.
  • Veal Ossobucco – A train wreck. The veal was like dried out pot roast, and the mushrooms were bitter and weird tasting.
  • Pineapple-Mango Creme Brulee – this was a delicious creme brulee with some bits of fruit in it, and went very well with the wine John brought, which was the best of show dessert wine from the state fair, a late harvest Seyval Blanc from Ohio.

Needless to say, two strikes and Aquaknox is off my list!

Pinot Brasserie

Monday Linda and I walked up to the Forum Shops and had lunch at Sushi Roku. Our server, Chase, made some great recommendations.

It was a beautiful morning, and we stopped to look back at our hotel across the Bellagio fountain pool.

After lunch we bought some wine and cheese and bread and hosted an afternoon get-together in our suite.

In the evening, Ron arranged for a hummer limo to pick us up and take us to the Venetian.

Pinot Brasserie did a great job with dinner. Our server, Cathy, adeptly handled the entire party.

The Menu:

  • Endive Salad – a nice combination of sweet and bitter, with a cirus edge
  • Seared Foie Gras, Langoustine Tail – Really two courses in one; the truffled morel mushrooms under this were superb
  • Pumpkin Ravioli with chicken with brown butter – this chicken was better than last night’s chicken at Robuchon
  • Chateaubriand and Maine Lobster Tail – Another two course dish, both were delicious
  • Sorbet
  • Cheese and accompaniments – very nice presentation, but we’d been eating cheese all afternoon!
  • Belgian Chocolate Souffle – a nice salty/sweet crust on this
  • Espresso

The format for the wines was six pairs, poured blind, with one Burgundy and one California wine, of comparable ages. It was easy to tell them apart until the last two flights, when things got tough. Nearly everyone had 100% scores until the last flight, when the wine of the night turned out to be a 1973 BV Special Label Burgundy with God only knows what grapes in it!

  • 1949 Charmes-Chambertin, Liger-Belair
  • 1959 BV Beaumont Pinot Noir 
  • 1958 Echezeaux Domaine de la Romanee Conti
  • 1958 BV Beaumont Pinot Noir 
  • 1961 Bonnes Mares – Drouhin-Laroze
  • 1960 BV Burgundy
  • 1967 Chambertin Clos de Beze P. Gelin
  • 1967 BV Burgundy
  • 1971 Beaune Greves Vigne de l’Enfant Jesus Bouchard
  • 1970 BV Beaumont Pinot Noir
  • 1976 Clos de la Roche – Pierre Bouree Fils
  • 1973 BV Special Label Burgundy

I’ll post my notes on the group’s site.

Unfortunately I started getting a sore throat during this event, but Linda was nice enough to go over to the Aria and get me an assortment of medicine to help me try to shake it.

I would definitely have another event at Pinot Brasserie, although it would be better to schedule all these Venetian events earlier, because there is an obnoxious nightclub across the hall from them, and the thumping gets old after a few hours.



Today Linda and I explored the area around City Center, including several hotels owned by MGM: The Bellagio, Aria and Monte Carlo. These are connected by a tram, along with the Crystals mall. We had a good lunch of tapas at Julian Serrano in the Aria. The ceviche was the highlight, and a glass of Albarino the perfect accompaniment.

The rest of our Wine Syndicate group had arrived by afternoon, and at 7pm eight of us (Ron, Bev, John, Debbie, Dick, Priscilla, Linda and I) went to see Love at the Mirage.

Let me preface this by saying I’m not a big fan of Cirque du Soleil shows. I’ve seen six of them, and with the exception of Ka, I’ve always felt that they were much sound and fury, signifying nothing. Still, I was surprised how much Linda and I hated this show.

First, the good: The music is superb. Every sound (except a new string part written by George Martin for While My Guitar Gently Weeps) is from the original 1960s Beatles tapes, but Martin and his son have remixed bits and pieces to create a sound collage that transcends the originals. I was very familiar with the CD, but the show’s sound is even better, and contains additional material.

Also terrific is the technology. The moving stage floors, set pieces, scrims, and super-accurate projections thereon are extremely impressive. And an effect involving an audience-covering sheet is quite magical.

But no amount of confetti, streamers, and gimmicks can save this show from utter meaninglessness. Except for a few rare moments when the mindless action on the stage seemed to have some relationship to the songs (A Day In The Life, for example) the show has no story and no emotional tug whatsoever. It’s clear, too that the designers knew they were in trouble, and attempted to fix it by piling on more and more.

It’s almost comical the way the quality of the show varies in inverse proportion to the number of people on stage. One person was usually compelling, two a bit diluted, three confusing, and four a muddle. Now imagine fifteen, and you have an unfocused mess. What a missed opportunity, where the sum of the parts is not only less than the individual values, it totaled approximately zero.

The audience—especially the drunks, of whom there were many—loved it, of course. Bread and circuses.

After the show we were picked up by one of the MGM’s gold limos for our ride to dinner. There were supposed to be two limos, but due to a screw up there was one, so the ride involved some lap dancing, which was entertaining.

The limo discharged us in the courtyard of the mansion at MGM, which is a sprawling complex devoted to high rollers. The walk through this area to the restaurant was a great peek into how the unimaginably rich and stupid live.

The private room at Joel Robuchon was beautiful, and the perfect size for the eight of us.

I had arranged for a prix fixe ala carte menu, which allowed us to each select our appetizer, two main courses and dessert. The rest of the courses were set. This worked out well, because it allowed us to try some different things, whilst avoiding some weird dishes on the 16 course tasting menu. The price of the meal, at $230 per person, was steep but probably reasonable for the quality of the food. The wine list, while extensive, was insanely overpriced, but Ron did a wonderful job of finding nice selections on something less than NASA’s budget.

My meal consisted of:

  • Amuse bouche – a citrus and foam combination that was quite refreshing
  • Foie gras and violet artichoke salad – delicious and not too heavy, the foie gras was a thin pate
  • Chestnut soup – the smoked bacon foam was a highlight
  • Sea bass with lemon grass – great lemony flavor, but the dish didn’t completely hang together for my taste
  • Wagu rib eye with wasabi spinach – a stunning course, with a wonderful assortment of tastes, and intensely flavored beef that melted in your mouth like butter. Easily the best course.
  • Chocolate, coffee ice cream, puffed rice – I traded this with Debbie for banana and passion fruit which I preferred, although I was in the minority on that one.
  • Assorted mignardises

The wines:

  • Vintage Champagne – best wine of the evening, a toasty elegant starter
  • 2007 Chassagne Montrachet – a pleasant, citrusy white Burgundy that accompanied the seafood perfectly
  • 1998 Nuit St. Georges – great earthy nose with lots of Burgundian promise; light palate, though
  • 2008 Penner Ash Pinot Noir – the nose eventually opened up a bit, but not as good as other vintages I’ve had of this. Thin palate of light sweet cherries
  • 1989 Ch. Destieux St. Emilion – Surprisingly soft for the year, this was one of the better buys on the list
  • 2009 Mollydooker Blue-Eyed Boy – as always a knock out, great with the cheese and dessert
  • 1985 Laberdolive Bas-Armagnac – a spectacularly complex spirit, poured by the glass, and a steal at $28. I need to find some of this.

Dinner with the wines, ten bottles of water, coffees, various fees and gratuities came to slightly over $1000 a couple. Worth it? Hard to say, as I’ve had more spectacular meals for less. On the other hand, the setting was magical, and it was a great way to kick off the trip. It will be interesting to compare it to the next-door sister restaurant, l’Atelier, on Friday.


Today is the first day of our Wine Syndicate getaway to Las Vegas. We took advantage of our membership miles to fly first class on Delta through Atlanta. It took most of the day, but it was a pleasant flight, with a couple hours spent in two Crown Rooms, and some spectacular views of the Grand Canyon on the way.

I decided to try the new Vdara Hotel at City Center because it offers rooms with kitchens and enough space to have wine get-togethers. Upon check-in the woman at the front desk kindly upgraded us to a penthouse on the top floor (56) overlooking the Bellagio fountain! We have a kitchen, dining area for six, guest bath, and even a laundry room. This must be close to the best room in the hotel. Lucky!

We only had an hour or so before heading to The Monte Carlo for dinner at Alain Ducasse’s Mix.

The restaurant has a contemporary European design. It on the 64th floor of THE hotel at The Monte Carlo. Some of the bar space and dining area is outdoors, which is fairly unique.

The service was amazing. It’s one of those places where things just disappear from the table when you’re done. We timed it, and wine glasses were leaving seconds after we finished with them.

Dinner was excellent. We had two different tasting menus. It’s nice that not everyone at the table has to order the same tasting menu. Highlights were the guacamole served with Linda’s tuna, the foie gras, black truffles and mashed potatoes served with her beef, her curry lobster, the passion fruit, pineapple juice and cocoanut foam cocktail served as a pre-dessert, and her baba rum, which was served as a kit with a delicious Montecristo 10 year rum that was very floral. Yes, she ordered the better tasting menu! The wine pairings were a deal, too, since the wines by the bottle were very steep. The pairing was a bargain, and hers even included a glass of 2005 Quintessa that was superb.

When we returned to our room for a much needed sleep, this was the view:

Las Vegas Star Trek Convention 2005

Dani’s Los Angeles Journal

August 1, 2005

We were supposed to leave Saturday night but Delta called to tell us our flight was cancelled, so we ended up leaving REALLY early in the morning on Sunday. We connected in Salt Lake and arrived in LA in the early afternoon. After a stop at Grandma Marjorie’s house we all went to my parents’ favorite Mexican place for dinner, El Cholo. I don’t like Mexican food much but it was pretty good. They have cheese chips that are to die for. By five o’clock we had to call it quits and head to the hotel.

We are staying at the Ritz-Carlton Huntington Hotel in Pasadena (about half an hour away from Grandma) and it’s really nice. Our room is large and has a beautiful view. Dad and I went for a swim, then came back to the room and vegged for a while. By 8:30 we were ready for bed.

On Monday, feeling a little more human, we ordered a HUGE room service breakfast. Even Mom had something (she never eats breakfast). It was really good. I have some history homework I’m doing (really long boring homework) so I did that for most of the morning.

At lunch Mom and Dad took me to an old haunt of theirs, Tommy’s Hamburger Stand. They do nothing in moderation there. A burger has a patty, two handfuls (big handfuls) of onion, ten or fifteen pickles, and a giant scoop of orange goo they call chili. All in all it was a, unique experience. Did I mention that the goo turns your fingers orange permanently?

After we had consumed as much as we dared we went over to Grandma’s. Her next-door neighbor Denny came home from work early and talked with us for a while. I went next door and met his dog, Johanne Sebastian Bark (they just call him “Sebastian”). He is a white German Shepherd and he is BIG! Standing on his back feet he can look me in the eye. He weighs about 120 pounds and his shoulders come to my waist. He is really sweet though. He has an old bucket he thinks is a toy. He holds it over his head and prances around, then puts it down and rolls it across the yard with his paw. At 7:00 we went to dinner with relatives at Shanghai Red’s at the marina.

Wednesday we went to Farmers’ Market. My parents remember this place from when they were kids. It’s a bunch of open stalls outside where they sell everything from greasy pizza and French crepes to tacky tourist junk. We had lunch there, Mom and I decided to partake of the greasy pizza, dad had a ham and cheese crepe and Grandma had Chinese food.

Have you ever eaten coke bottle candies? They are the best invention under the sun! It’s made of what gummy bears are but it’s clear. There is coke injected into the bottom of them. They’re great! I have a small bag of them that I bought maybe we can share when I get back. Oh, and guess what they have in every supermarket and convenience store in California, Squirt! They have Squirt! I have been getting it every chance I get. Anyway, it was a lovely afternoon.

They’ve built a shopping area called the “Grove” next to Farmer’s Market. We wandered around there for a while. They have a huge, three-story Barnes and Noble. I bought the book version of Wicked, my favorite play on Broadway.

For dinner we went to the Smokehouse. They have has the best garlic cheese bread anywhere.

Dad bought some tickets to see the King Tut exhibit on Wednesday. There were lots of neat treasures on loan from Egypt. They not only had lots of gold treasures but also lots of really well-preserved wooden things. There was one footstool that was made of wood but it was carved and inlaid to look like an animal hide. A guided tour on tape interpreted it all.

For dinner we went up to an old building called the Saddle Peak Lodge, up in the mountains. We sat outside and watched the sun set. The Saddle Peak Lodge has been many things in its time including a hunting lodge, a speakeasy, a brothel and a fine dining restaurant. They specialize in game, so I had buffalo and dad had elk. Mom had ravioli, and man, are those things hard to shoot.

Thursday Mom and Dad and I took a two and a half hour drive north to the central coast wine country. It was good. The views were lovely, and there was a nice breeze, so it wasn’t too hot. We stopped in Solvang, a touristy Danish village, for some butter cookies. The movie Sideways was filmed in and around the town of Los Olivos; it was neat to keep running into places where they filmed. Mom and Dad did some wine tasting, and we had dinner in a nice little restaurant imaginatively called “The Los Olivos Café”.

We spent most of Friday at Grandma’s, and went to a new restaurant in the historic Wiltern Hotel for dinner.

Saturday Mom and Dad went to Fry’s, a giant electronics store, and selected a new computer for Grandma (her old one had a really weird software problem).

On Sunday Dad finished setting up Grandma’s computer and we went to Trader Vic’s in Beverly Hills for dinner. Trader Vic’s is where the Mai Tai was invented, and they served that and all sorts of other wacky tropical drinks, along with some excellent spare rib appetizers.

Steve’s Las Vegas Journal

Monday we packed and checked out of the Ritz Carlton Huntington Hotel in Pasadena — after a week it had begun to feel like home. We took the 210 freeway to San Bernardino and then 15 over the pass to the high desert. The drive to Vegas took about six hours, and carried us through mostly rocky, barren terrain on a surprisingly busy four-lane road. A long, skinny ribbon of thunderstorm hung like a curtain across one valley, and provided ten minutes of torrential rain in a landscape that was otherwise parched and dusty.

We’re staying at the Venetian Hotel, our favorite in Vegas. Every room is a suite, and there are 17 restaurants in the building!

Monday evening we had tickets to see Penn & Teller at the Rio, so we had dinner at a Japanese restaurant in Masquerade Village there. While waiting for dinner Dani was able to watch the Mardi Gras parade that I worked on a few years ago. It’s a fairly complicated control system for a dozen or so overhead floats on which the performers ride.

Penn & Teller were amusing, but it wasn’t a great magic show. Before the show Mike Jones, a terrific jazz pianist, performed with a stand up bass player who turned out to be Penn himself. During this preshow the audience was invited onstage to inspect a box and sign an envelope, both later used in the show.

Tuesday we had lunch at Taqueria Cononita by the Grand Canal in the Venetian. Dani bought a magic trick at one of the shops and spent the afternoon practicing. After some power napping we changed and drove to the MGM Grand to see the new Circe de Soleil production, Ka.

I find myself at a loss to adequately describe Ka. Days later we were still trying to absorb everything we witnessed. Here’s how the Las Vegas Review-Journal described it:

Cirque Tops Itself: ‘Ka,’ the most expensive live show in modern history, takes a new direction by telling a story

Seen from directly overhead, two opposing groups of armor-suited warriors charge to meet in the middle. A fierce battle ensues, the warriors using staffs, swords and kung fu. Some have an almost-supernatural power to leap over their enemy.

That’s how the scene unfolds in Cirque du Soleil’s new “Ka. ” But the audience doesn’t see the overhead perspective on film, or reflected in mirrors. They see it because the warriors are suspended in the air, their feet rappelling onto a near-vertical wall, upon which the image of the battlefield is projected.

Along with performing their stunt combat, the performers are squeezing control units, hidden in their fists, to move the wires that suspend them from a grid 90 feet above the stage.

In part, it’s the answer to the question everyone had: How could Cirque top itself and deliver a distinct new product in its fourth show on the Strip?

The $165 million “Ka” marks not only a watershed for Las Vegas entertainment, but perhaps the creation of an all-new entertainment medium: the live movie; theater that uses the language of cinema.

“In movies you will see a battlefield from different angles… We’ve had the opportunity to give people a live experience about battle that is completely different than what you would get in any other theater,” says Lyn Heward, who oversees Cirque’s creative content division.

“Ka” has the rich, textured atmosphere of grand opera, except that nothing is stagebound, not even the two stages themselves.

Scenes flow from one to another, changing perspective. When the nanny of the young protagonist falls overboard during a turbulent storm at sea, you first see the older caretaker swept off the side of the boat that spins and bobs like a cork on the water.

Then the stage transforms to an underwater point of view, to show the nanny sinking to the bottom — again by using aerial wires and film projection — and the young heroine  plunging in to rescue her.

“It does focus the way a spectator can watch an activity. When I go see `O,’ I have difficulty choosing what to look at,” Heward says. “But this is a little bit different. We are giving you a point of view to look at this from. “

Moreover, the signature Cirque music, acrobatics and overall aesthetic have been focused into actual storytelling for the first time.

In lieu of a fixed playing area, the stage design resembles a black void, where the two main stages move in and out of position. One is the “Tommy deck,” a platform that slides in and out much like a drawer. The other — the one hosting the vertical battle — is the “cliff deck,” an 80,000-pound rectangle lifted in and out of place by a 230,000-pound gantry arm.

The cinematic feel of the show also introduces a new, home-theaterlike dimension to the theater: Every seat has its own personal set of speakers.

“It is not as if sound always comes out of the seat. It is just another pair of speakers,” says sound designer Jonathan Deans. In fact, there are 180 outputs of sound, compared to 60 for “EFX. “

“We take a sound and shred it into multiple sections,” Deans explains. “It will go out and fly around the auditorium shredded, then come back into that (original) sound. Will the audience know that is happening? No. But they will feel something different is happening. “

Much of the music is recorded, but all sound effects are live. “If a fireball comes up through the stage,” Deans explains, “we draw little squares on the camera image (that monitors the stage action). So when the fireball crosses through the squares, it actually triggers different sounds, and places the sounds to different speakers. “

René Dupéré, who composed the soundtrack to “Mystere” and most of the Cirque shows before it, returned to the fold at Laliberté’s request after a 10-year break.

“It has to be a score, like a movie score,” Dupéré says. “The music has to tell what’s going on, because there’s nobody talking. “

The most distinctive aspect of the score is a 42-voice choir, which sings “invented lyrics” by Dupéré’s wife, Elise Velle, who was principal singer for the first year of “Mystere. “

The choir and orchestral sounds are blended in with the live performance of a seven-piece band, which the audience doesn’t see.

But, Dupéré says, in places “I had to soften (the music) a bit. It was so dramatic, I couldn’t see the action. The music was too big. “

It’s a larger lesson the creators of the most expensive live show in modern history are trying not to forget. One key special effect is created by nothing more than the shadow of a candle.

“Human beings make the effects, and not machines,” Heward says. “The technology is simply a support to the human performance. “

Click here for a technical article from

Total Production.

Dinner at Nob Hill was as unremarkable as Ka was remarkable. Overpriced, uninteresting, and with an amazingly extensive selection of incredibly unappealing wines at absurd prices, this is the number one clip joint to avoid in Vegas.

Wednesday began with a delicious room service breakfast. The servers are exceptional at the Venetian, setting the table in your room as if you were in a fine dining restaurant.

Then we walked across the street to the Treasure Island, which has been destroyed by MGM Mirage, the new owners. The name has been changed to the “ti,” and the skull and crossbones sign, the most distinctive in Vegas, has been removed. The exterior pirate ship theming has also been modified to make it “sexy,” and the redemption gaming center that Dani and Linda were looking for is gone.

We took the tram over to the Mirage and purchased an admission to the Secret Garden of Siegfried and Roy and spent a pleasant hour watching lions and tigers sleep.

After riding the tram back to the ti we crossed the street to the new Wynn. Steve Wynn’s latest upscale creation is even uglier than the Bellagio. The outside looks like an office building behind a dyke, and the inside is filled with the same garish mess as Bellagio. The only focal point, a “water feature” that is a simply a wall with water running down it, is so poorly placed that only a few dozen patrons can see it at one time.

Back at the Venetian we allowed our body temperature to return to normal while waiting about an hour for an afternoon snack in the Grand Luxe Cafe.

In the evening we drove over to the Hilton to pick up our wrist bands for the Star Trek convention, which begins tomorrow.

Dinner was at Bouchon, an authentic Parisian Brasserie in the new Venezia tower. It was indeed authentic, right down to putting the bread directly on the table. It was also delicious. The fois gras terrine appetizer turned out to be an entire 5 oz jar of pate de fois gras, pricey at $41, but enough for three, and worth every penny.

After a delicious breakfast at Bouchon — best baked goods outside of Paris! — we headed for the Las Vegas Hilton.

The Star Trek convention attracted an interesting cross section of people, to say the least. On Thursdayand Friday there was a high ratio of Trekkers in Federation costumes. These are the fans Shatner was was addressing in his Saturday Night Live sketch, “Get a Life. ” These people still live in their parents’ basements. It’s probably a good thing.

By the weekend, though, when attendance peaked at over 3000, the audience was a cross-section of all ages, with women perhaps slightly outnumbering men. If there was any demographic missing it was young teenagers, particularly girls. Kids came with parents, older teenagers rived on their own, and a lot of the audience must have seen the original series when it first aired. But Dani was fairly unique, and as a resulted attracted a certain amount of attention form the celebrities.

The format of the convention is: stage presentation by celebrity, stand in line for celebrity’s autograph, go to dealer room and buy crap.

I found the presentations almost uniformly entertaining. The stars enjoyed talking about current projects, and most were genuinely pleased by the loving reception they received from the fans. Two open mics at the sides of the stage allowed fans to ask questions, and the stars answered them with candor, and often with great wit.

The standing in line was a bit tedious, but nearly every celebrity made an effort to make eye contact or say a few words to each fan, even if they were signing 600 autographs. These autographs are the currency of the convention, as they — either directly or indirectly — cost $20 to $80 each. This comprises the celebrities’ compensation for attending, and also provides most of the convention organizer’s profit.

The dealer room was actually pretty interesting, because in addition to many booths selling Star Trek collectibles and photos there was also a large section devoted to minor celebrities. Here was an opportunity to have photos personalized, buy CDs, or just chat with a couple dozen minor stars. And some of these people weren’t that minor: James Darren hung out for several days, as did a large number of other characters from the five series.

Although there was more of an emphasis on autographs than I’d have liked, I tip my hat to the organizers, who kept the event running like clockwork for four days. No presentation ever started more than a few minutes late, and the mics and video worked well.

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Here’s what we saw during the four days:

The show opened Thursday with a mediocre improv of TOS (The Original Star Trek) by some guys from Texas. Aside from an amusing double take when the security guy realizes he’s wearing a red shirt — and is therefore certain to be killed — it wasn’t that great.

It was followed by a presentation by Denis Russell, who worked on the original opticals for TOS. Denis seems like a nice guy, but is the world’s worst speaker, and I’m still not sure he knows what an optical is.

Throughout the convention there were some interesting lunches at Benihana, but although we had gold passes that included almost everything, lunches weren’t part of it, so I won’t describe them.

After lunch things picked up with an amusing presentation by Grace Lee Whitney (Yeoman Rand on TOS) and Robert Walker, guest star of the Charlie X episode. Raised by aliens, Charlie has some trouble adapting to human ways. In one famous scene he swats Rand on the butt as he passes her in the corridor. Whitney has had a rough life, which she’s only recently gotten back on track, and Walker talked about his (apparently famous) parents. They had a good rapport.

Next up was LeVar Burton. He’s an incredibly intelligent and well-spoken man, who talked about the impact of Roots, and his rather extensive directing experience. He just starting a new movie with Stan Lee. An amazing number of people thanked him for his 28 years of work on PBS’ Reading Rainbow.

John de Lancie played Q on TNG (Star Trek the Next Generation), DS9 (Deep Space 9), and Voyager. (I don’t know if he was on Enterprise, as I haven’t seen most of that yet. ) He is very involved in producing classical music concerts and legitimate theater, and is a long-time friend of Kate Mulgrew.

Robin Curtis was a Vulcan in the movie The Seach for Spock. We skipped her presentation.

Corbin Bernsen played Q2 on TNG. We skipped this.

I couldn’t figure out who Dean Haglund is until someone told me he was one of the computer guys on the X-Files, a show I’ve never seen. So why is he at a Star Trek convention? Apparently he makes a career of touring the various conventions (more than one a month) doing improv. His show was hysterical! He began by explaining that the plot of all X-Files episodes is the same: some weird creature is discovered and then the government spend the rest of the hour denying it. So he invited the audience to suggest the creature (I think we ended up with a stoat-moose-rabbit) and then selected audience members to help him perform three sketches:

  1. Audience member attempts to make verbal sound effects as Dean describes the action — and comments on their sound effects.
  2. Audience member provides Dean’s arms as Dean acts out a scene — including taking questions from the audience: “Yes, you sir… no, not the one I’m pointing at, the one I’m looking at. “
  3. Audience member attempts to move Dean’s body as Dean — spastically — describes the climax.

Very funny stuff.

Thursday night was a private party for the gold ticket holders — at least 500 of us — at the Star Trek Experience attraction. Buffet food was served in Quark’s Bar, which looks a lot like the one on DS9, and seats the same dozen people. Entertainment was mostly by Chase Masterson, who played Lita, one of Quark’s Dabo girls, and is a pretty good nightclub singer, and Vaughn Armstrong (Admiral Forrest on Enterprise), who has a country band. The Star Trek Experience attraction was also open, with its astonishing transporter effect, which makes it seem as if you are “beamed” aboard the Enterprise. Also open was the new Borg Encounter, which is an excellent show incorporating live actors, 3D Hidef video and effects. Both are top notch shows.

Friday began before lunch, but we skipped the presentation by Gwynyth Walsh. We did get her autograph later, and she looks much better than this in person.

Garrett Wang (Ensign Harry Kim on Voyager) was a delightful speaker and did some very funny impersonations of Kate Mulgrew. He hung out with the attendees later, and seems like a really nice guy.

After lunch we met the first of four captains appearing at the convention, Kate Mulgrew (Captain Janeway of Voyager). Kate is just back from two months in Ireland with one of her twenty-something sons, where they were writing poetry and stories. She’s in Tea at Five, the popular one-woman show about Catherine Hepburn, and is enjoying being 50 and slowing down a bit.

Max Grodenchik and Chase Masterson played Quark’s slow brother Rom and Quark’s Dabo girl Lita on DS9. They took the stage together, and couldn’t be more dissimilar (well, maybe in makeup they could). Max is incredibly shy, and Lita incredibly outgoing. We met them in person later in the dealer room, where we bought photos and CDs. They were both very generous with their time.

Gary Graham plays Vulcan Ambassador Soval on Enterprise. We skipped this presentation.

Marina Sirtis and Micahel Dorn played Counselor Troi and Klingon Warf on TNG. Michael was busy finishing a photo op (pose with the star of your choice, sort of like Madame Tussaud’s) so Marina came out first and told us all the ways to tease Michael when he came out. They are obviously great friends, and were very entertaining.

After the show we headed back to the hotel to change, and went to Valentino’s for dinner. This was a bit disappointing, as the Wine Spectator names it one of America’s top ten, but they must be referring to the one in Los Angeles. The wine list, though extensive, had no older wines, and the Italian food was challenging and not particularly great.

Saturday we arrived in time to see Penny Johnson Jerald, who plays Cassidy, Captain Sisko’s girlfriend on DS9. Cassidy is one of our least favorite characters, because the two of them appear to have absolutely no chemistry. Oddly, Penny’s presentation consisted mostly of telling us how great their chemistry was.

Connor Trineer (“Trip” from Enterprise) wasn’t scheduled to appear, but at the last minute Jolene Blalock (T’Pol from Enterprise) cancelled. Jolene seemed to be persona non grata with the organizers, but Connor was a great sport and showed up with less than 24 hours notice.

Robbie McNeill (Tom Paris from Voyager) has been busy directing, including many episodes of Desperate Housewives.

Rosalind Chao played Keiko, O’Brien’s wife, on TNG and DS9. We missed most of this presentation.

Jeffrey Combs has played several roles on DS9 and Enterprise, including Brunt and Weyun. He joined Vaughn Armstrong (Admiral Forrest from Enterprise) and Casey Biggs (Damar on DS9) for a live musical performance. Armstrong is a good bluegrass musician, and Biggs has a wonderful voice. Combs was truly awful. Nice guy, though.

Speaking of singing, James Darren, Linda’s heartthrob from the 60’s was up next. This guy was playing Moondoggie in Gidget movies in the 1950s, and he looks younger than me. On DS9 he play holographic nightclub singer Vic Fontaine, and introduced a new generation to the classic Vegas songs of the 50’s.

Avery Brooks played Captain Sisko on DS9. He was the first black to receive an MFA in both acting and directing, which he did simultaneously. He has been a professor at Rutgers sin 1972, and tenured since the 80’s. He also directed my favorite DS9 episode, Far Beyond the Stars, in which he plays a 1950s sci-fi pulp writer who is the victim of discrimination. Needless to say, Avery is an a amazing speaker. Afterwards he signed autographs with Penny Johnson Jerald, and their chemistry seemed OK. Avery stopped Dani in the autograph line to shake her hand and talk with her for a minute, and it’s the only time I’ve seen her nearly speechless.

After a quick bite at the Mexican restaurant down the hall (it’s the only decent restaurant in the Hilton, so we’ve eaten there three times in three days) we returned for the world premier of Star Trek: The Concert. 34 members of The Las Vegas Philharmonic Orchestra, conducted by Richard McGee, played all of the great Star Trek themes in chronological order. McGee was obviously also a fan, and his comments between pieces were quite enlightening. The orchestra was quite good except for a couple of horn players who should be taken for a ride in the desert. Composer Dennis McCarthy came onstage to conduct his themes from DS9 and the movie Generations.

The concert included an interlude for a vocal performance by Nana Visitor (Kira from DS9) but although she was at the convention she cancelled this performance for some reason. The already overworked James Darren gamely took her place, although I’m sure he felt ridiculous standing in the middle of an orchestra and singing to a prerecorded track.

The concert was followed by a Dessert Party with a live band and more entertainment by James Darren and others, but it was crowded and not very intimate in the huge convention space, so we left after only a few minutes.

Sunday began with a DS9 reunion featuring Nana Visitor (Kira), Rene Auberjonois (Odo) and Armin Shimerman (Quark). There was great chemistry between the three of them, and it was lots of fun. To raise money for charity, in the autograph line Rene was doing individual sketches for $10. He drew a picture of Odo’s bucket with a word balloon saying, “Dani. “

At noon Patrick Stewart arrived from Vancouver (where he has been filming X3) for a rare convention appearance. Patrick is living in London, and has rejoined the Royal Shakespeare Company. He will appear in several plays throughout 2006, and at one time or another next summer, all 37 will be produced. Patrick is clearly an ACTOR, but he takes his Star Trek notoriety with good grace.

Shatner is just so damn funny! An aspiring actor asked for advise and Shatner said, “So you want to know what you can do to be famous, rich, have the yacht, the babes, everything? Nothing. It’s all luck. “Actor, author, horse trainer, musician; this guy is busy. During his presentation he auctioned off a number of items for charity. Most interesting was your chance to be in his next Star Trek book. Two people paid $5000 each. Patrick Stewart joined him on stage momentarily before departing.

After Shatner’s stage appearance we hurried over to the dealer’s room to pose for a picture with him, a father’s day gift from Dani. We got to exchange a few words and I left him a copy of one of my books.

Following the photo op we caught most of Brent Spiner’s (Data on TNG) presentation. Brent is a really funny guy, and has an absolutely dead-on Patrick Stewart impression. (Patrick was earlier asked if he had a Brent imitation and he said, “You know why all those guys imitate me? It’s because they want to BE me. “)

The convention wound up with Robert Beltran, Chakotay on Voyager. Of all the celebrities there, Beltran was the only one who seemed to have an “attitude,” and he might not have been the best choice to wrap things up.

Here’s Dani posing with a couple of passers-by in the dealer’s room. I’m not sure if the Klingon and Andorian were from the Star Trek Experience, or were show attendees.

A parting shot of Dani who, through the magic of digital imagery, appears with the DS9 cast. Wrap Up: Since a big focus of the show is autographs, which we now have coming out of our (Ferengi) ears, I don’t think I’d buy a gold ticket to another convention. But it was a lot of fun, and I’d certainly consider a day pass to future conventions.

Las Vegas 2000

In the Fall of 2000 most of The Wine Syndicate group went to Las Vegas, where we stayed at the Venetian. We had some great lunches, dinners and tastings, and also found time for Star Trek The Experience, a tour of Caesar’s Magical Empire, and “O’ at the Bellagio..


The Alcorns, Crockets, Henlines, Robinsons and Siegels.


Thursday, October 12th. Dinner in Red Square at Mandalay Bay.

Friday Dinner in Picasso at Bellagio. Yes, that’s an original behind the Henlines.

Saturday Lunch at Stratosphere’s Top of the World restaurant: Dining at 887 feet.

We capped off our trip with a grand tasting (and 4-1/2 hour dinner!) Saturday night at Delmonico Steakhouse, which graciously provided the appropriate glassware, plus and superb food and service.

Delmonico Tasting Wines:

79 Grands Echezeaux & DRC Echezaux
86 & 91 BV GDLTPR
Guenoc Cabernet Franc
Far Niente Cabernet
86 Ch. Mouton Rothschild
Lynch Bages
91 Dominus
81 Ch. d’Yquem

Los Angeles, Las Vegas & Grand Canyon in Art 1996

Grand Canyon 96
The annual “Return of the WEDI” trip in 1996 went to the Grand Canyon for the only time.

When I travel I like to keep a journal so I can experience the trip again, years later. Now I use a laptop, but when Dani was little both of use kept travel journals using blank books and colored pencils. Here is a journal I made of our December 1996 trip to the West. Photos from this trip may be found in the Family and WEDI sections.

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